The Caribbean or Bagua

© 2019 by Michael Auld 

  If you intend to visit, have been to, are from the Caribbean, or are just curious, or not just interested in sun, sand and sea, this blog is for you. Are you aware of our area's 6,000 years of human history? 

Although the area still retains some original natural beauty, in terms of flora and fauna, it is but a shell of itself of 500 years ago [See extinct Cuban/Jamaican Macaw (a Taino word) below the map].

The Amerindian areas in the Caribbean Islands.

Watercolor painting by Jacques Barraband, ca. 1800. The Cuban macaw (two Taino words) or Cuban red macaw (Ara tricolor) was a species of macaw native to the main island of Cuba and (a similar red specie was found in Jamaica) the nearby Isla de la Juventud that became extinct in the late 19th century. As many as 13 now-extinct species of macaw have variously been suggested to have lived on the Caribbean islands. Macaws are known to have been transported between the Caribbean islands and from mainland South America to the Caribbean both in [earliest times by Amerindians] and [post-Colombian] times by Europeans [and others].-Wikipedia

WHAT IS THE CARIBBEAN? and HOW DID IT COME INTO EXISTENCE? 

Caribbean (Kare’-bee-an, or Ka-rib’-yan) 

1. From the Taíno word Cariba (Strong Men), Caribe, for the Kalinago or Island Carib, the most feared warrior inhabitants of the Antilles. 2. Partially enclosed body of water in the Western Hemisphere called Bagua by the Taínos, 3.  The name of the sea and arc of islands which begin off the coast of Venezuela and end off the coast of Florida.  4. A western extension of the Atlantic Ocean which borders on Venezuela, Columbia (South America); Panama, Costa Rica, Nicaragua, Honduras, Guatemala, Belize, Mexico (Central America); and the islands of the West Indies. (5) considered by some as part of North America.

THE CARIBBEAN CREATION STORY: 

According to the Taíno 

In the Taíno Creation Story, one of the earliest acts to be accomplished was the birth of the ocean and all the animals therein. One story tells of the exploits of  Deminan, son of Itiba Cahubaba, and one of the Four Father's of Humankind, as the principal ancestor among the four Sky-Walking Brothers.

Watercolor painting by Jacques Barraband, ca. 1800. The Cuban macaw (two Taino words) or Cuban red macaw (Ara tricolor) was a species of macaw native to the main island of Cuba and (a similar red specie was found in Jamaica) the nearby Isla de la Juventud that became extinct in the late 19th century. As many as 13 now-extinct species of macaw have variously been suggested to have lived on the Caribbean islands. Macaws are known to have been transported between the Caribbean islands and from mainland South America to the Caribbean both in [earliest times by Amerindians] and [post-Colombian] times by Europeans [and others].-Wikipedia

Above: "FOUR TWINS"; In the process of a cesarean birth. Deminan Caracaracoal, the eldest, and his three Sky-Walking brothers are seated in the womb/cave of their mother, Itiba Cahubaba (Fifth Earth Mother. "The Blodied One"). Together, they are the Four Fathers of humankind. Demenan, the oldest, is the father of the Taíno. The petroglyph painting in the background is a composition of the symbols such as iguana-el, representing the sun. His serrated tail and back is a reflection of the sun's rays. Iguanas love to sun themselves for the absorption of warming ultraviolet rays, and therefore represent that celestial body. Along with boina-el, the black snake cloud, and as Iguanaboina they symbolize the source of life.--Silkscreen print by the author.

Deminan's mischief caused a deluge. The story begins with a god named Yaya whose disrespectful son Yaya-el was exiled for wanting to kill his father. After some time went by, Yaya-el disobeyed his father and decided to return home. Yaya slew his son. According to Taino tradition, Yaya hung his son's bones in an urn in the house. The bones turned into fishes. Yaya-el's disobedient return is interpreted by Antonio Stevens-Arroyo (1988) author of Cave of the Jagua (a book on Comparative Religion by examining Taino culture), he analyzed this myth as a cautionary tale. Forced to leave the Orinoco River Basin because of overpopulation, the ancestors of the Taíno were warned to move on and not to return "upon the pain of death". 

 Deminan sneaked into the the Supreme Being, Yaya's house while he was away, took the urn (or gourd) down and hung it up badly. The urn fell, gushing out water and spilling out many fish and creatures that came to earth. This is a Great Flood story about the origin of the sea or Bagua. The Taíno’s sentiment about this body of water can be summed up in the following manner. Yucahuguama Bagua Maorocoti, (Below) was the positive and creative force who became the God of the Bagua. His title meant “yuca giver-sea-provider-of woman born without grandfathers”, making him the result of a virgin birth. His mother, Atabey or Ataberia (from the Arawakan Atte, mother.) is the goddess of childbirth and fresh water.

Stone petroglyph of Atabey, at Caguana Ceremonial Park, Puerto Rico. She is one of many stone structures that surround a ceremonial ball-court.

Symbolism: Her legs are frog-like, representing fertility; The bird's head is from a myth associated with a woodpecker who created a vagina for female creatures without genitals, provided to the men after their wives had been seduced during the Guahayona ("Our Pride") Epic, and taken to Matinino, the legendary Island of .Women. Also, as the goddess of childbirth, her ribs are symbols of fresh water running down the mountainside. Her earrings are moon icons.

Yuca or Cassava root-like Yucahuguama Bagua Maorocoti in the form of a three-pointed stone cemi. Cemis or zemis are religious icons similar to those objects in other religions.

(Below: Some of the products from the Taíno staff of life.)

The Caribbean Sea... 

Occupies a geographic area of the Americas and is  971,400 sq mi (1,562,983 sq km) in size. [Approximately the size of Europe]. Its greatest depth (7,000 m or 23,009 f ) is Bartlett Deep in the Cayman (Taino word for crocodile) Trench between Cuba, Cayman and Jamaica. The sea floor is made up of a complex system of ocean ridges, trenches, and basins. The floor of the sea is composed of tan to brown muds which contain coarse organic and inorganic materials. Surface water seasonal temperatures vary little from the air above which, in Winter can be 81 deg F (27 deg C) in the day and 70-75 deg F (21-24 deg C) during the night. Torrential rains fall during June, July, and August after the dry months of February and March. There are comparatively long periods of fair weather but from July to October hurricanes (huracan) develop.

Above: Illustration fashioned after a ceramic pot's image of Guabancex, Angry Woman Goddess of the Huracan/Hurricane, Rider of the Winds superimposed over hurricane Katrina. --Photoshoped by the author. 

Background image: Sattelite photography. Contemporary meteorologists call the head of Guabancex, an "eye". Taíno women drew the huracan as an "S" shaped form of a flailing woman viewed from above.

  

The combined land area of all of the islands is 91,000 sq mi (236,000 sq km) with the highest mountain, Pico Duatre, Dominican   Republic, rising to 10,417 ft/ 3,175 m.  The isles of the Caribbean are also called the West Indies and are comprised of over 1,000 islands and many cays (from the Taíno "cayo").  They are composed of the Bahamas, the Greater and the Lesser Antilles which range in size from Cuba (42,827 sq mi/110,922 sq km, the size of Texas) to Saba (5 sq mi/13 sq km).  The Greater Antilles are mountainous and mainly sedimentary in composition. The Lesser Antilles are composed of the Leeward and Windward Islands, many of which are volcanic in origin. Temperatures vary from cool temperate mountains to warm sunny beaches to thorn bush and cacti covered savannas (from the Taino "sabana", meaning flat land). Northeasterly Trade Winds determine rainfall quantities and matching topographic descriptions. Many of the Caribbean islands were lush, tree-covered tropical forests at the Colombian arrival in 1492. 

Over six thousand years ago is considered as the Caribbean's Pristine Era. After human arrival some early animals like the sloth became extinct. Each sduccesive wave of human arrivals weighed hevily on the Caribbean only to accelerate during the modern era. Some flora and fauna (like the Cuban bumblebee-sized hummingbird below) were found indigenous to only some islands. For hours passing flocks of parrots and doves blotted out the sun while a school of snappers could darken the sea. The dazzling array of aquatic animals was the hallmark of Caribbean bounty. From turtles to seals, dolphins to revered manatees (Taíno for “Big Woman Goddess) and whales swam its waters

Another concept associated with the geographic area was that the Caribbean consisted of a bagua (sea) with “a bracelet of islands”. In another of their Origin Story arietos (saga songs) the lyrics told that the islands were formed after Deminan was smitten on the back from a glob of cohoba (tobacco snuff inhaled into the nostrils that mixed with snot) discharged from the nostril by the god, Baymanaco on to the mischievous Deminan’s back.

"A swollen hump formed on his back and he loses strength.  Lying down on a sliver of sandy beach, in the middle of the vast ocean, Deminan takes deadly sick. Using a coral knife, one of his brothers lances the swollen hump. Out of his back comes one and other turtles. [Turtle Mother lives with the brothers and help to produce the human race]. Out of his back, slide out longer reptiles that swim out to sea. [Reminiscent of the biblical Eve being formed from Adam's rib.] When they surface from under the waters, the heat of the sun petrifies them, forming the islands, big and small, mountain ranges all over our Taino sea. Thus were our lands created." —Taíno informant.

Below (R and L): Bifricated cohoba inhalers for inducing trances. Often used only by shamen and cacikes (chiefs) to cross over into the spirit world. There is a recorded story from Cuba told to the Spanish upon their arrival. "Before the arrival of the Spanish, a past cacike, in a cohoba trance, told of the destruction of their civilization by outsiders. The Taino believed that these outsiders were the Carib. But we found out it is the Spanish."

"The corresponding ceremony using cohoba-laced tobacco is transliterated as cojibá. This corresponds culturally to the practice of drug-induced "astral traveling" so common to the Americas and elsewhere"- Wikipedia.

Wooden and Manatee bone bifricated inhalers

Left and Right: Taino inhalers that some believe was called Tabacu

The word was mistakenly applied to the tobacco leaf, then called kohiba..


In the Bagua, shellfish cruised or burrowed along its shores. On land, snakes, lizards, hutias ( a nocturnal rabbit-sized rodent - still found in Jamaica as Indian "Coney," an Old English word for rabbit.) crawled through its underbrush and trees. Crocodiles (called cayman by the Taíno) trekked the swamps and brackish mangrove (from Taíno manglé) waters.  Bats, as Taino souls, glided through firefly-lit nights. Different ethnic Amerindian groups later populated the opulent Caribbean islands. 

The earliest human inhabitants to have survived into the "historic era" are thought to be the Guanahatabeys of eastern Cuba. Although linked to the Yucatan, they also shared cultural similarities with Florida inhabitants. They were present in 1492 and spoke a different language than the more populous Taíno and Kalinago or Island Caribs.


Casimiroid People from the Central American (Yucatan) peninsular, at around 4,000 BC, entered Cuba and continued into Hispaniola (Haiti/The Dominican Republic). They brought with them flaked stone tools (some beautifully designed and decorated) and lived off indigenous crocodiles, sea turtles, manatees, whales, a variety of shellfish, fruits (pineapples/anona, guava/guayaba), vegetables (probably amaranth or "callaloo") and a local tuber called guayiga. 

Above: Key -(1) Scientific illustration of the guava/guyaba. (2) and (3) Stone carvings of Maquetauri Guayaba, god of the Afterlife who lived on one of twin islands. His was Coaybey, Island of the Afterlife or "Those Who Were Absent". (4) Opiel Guabirang, the hunting Dog of the Afterlife, who hunts down wayward souls (opias) at night to return them to Coaybey (twin island of Soraya or "Sunset", an unreachable place) before sunrise when they would be turned into stone.-- Carved conch shell with superimposed guava seed irises.(5) Sweet commercial Guava Jelly. (6) Guava cheese or paste. Delicious with cream-cheese squares, secured with a toothpick  as an Hors d'voeuvre. (7) Bat vomiting stick from a manatee bone, used to empty the stomach before going into a cojoba trance. Fruit bats were spirits, who, at night searched for guava berries that represented the "Sweetness of Life".

Above, Contemporary book illustration of Maquetauri Guayaba from my book "Ticky-Ticky's QUEST" (Below). 

Go to http://anansistories.com/Ticky_Ticky.html to see more about the book.

OTHER WAVES OF PEOPLE

Around 2,000 BC, Ortonoid peoples came by canoa/canoe into the Caribbean by way of the South American coast into Trinidad and continued north to a frontier in Puerto Rico. Around 1,000 BC, the Ortonoid of Puerto Rico faced the Casimiroid people of Hispaniola across the Mona Passage. The next group to follow into the Caribbean were the Saladoid circa 1,000 BC. 

These Taíno people... continued west into Haiti (Hispaniola), Cuba and Jamaica and north into the Bahamas until they may have eventually reached Florida. Later, Kalinago/Callinago/Island Caribs expanded from mainland South America into the Caribbean. Later, they made trading trips (by sail-rigged canoe) back down to South America. 

Kalinago or Island Carib

The people for whom the Caribbean was named were called Carib (Strong Men) by the Taíno or, as they called themselves, Kaliago. They were called Island Carib by ethnohistorians to distinguish them from their cousins, the mainland Caribs of South America. Their territory in 1492, through the conquest of the Taíno men (and intermarrying with the women) stretched above Trinidad up to Guadeloupe with extensive influence further north. Their ancestors continued to live side by side on the mainland with the Arawaks. 

Their language, like Taíno , belonged to Arawakan. The men persevered the use of pidgin Cariban, employed in the communication between the mainland Caribs and Arawaks. Not much is known about the culture of precolumbian Island Caribs. Records of their language and culture were taken after their numbers were swelled by Taíno refugees escaping Spanish oppression in the northern Caribbean. They joined in alliances with the Taínos to fight Spanish incursion into the Caribbean. Although they shared many cultural practices with the Taínos they had some distinctive differences. Linguistic differences from Taino may have been because of a Carib amalgamation with the Igneri, the people who preceded them in the islands. The Island Carib, it is believed, settled among the Igneri (also Eyeri or Ieri) and adopted their language. Their reputation as un-swaying warriors caused them to endure. They have the only Amerindian reservation in the Caribbean on the island of Dominica (Dommi’-nee-ka, not to be confused with the Do’-mini-can Republic). 

For survival, they successfully fought the Spanish, French, Dutch, and British. In Colonial Williamsburg, the British who were very fearful of the Carib warriors, passed a law to hang any "Carib" brought to the Colony. In Dominica, the Caribs are dignified and industrious farmers who continue to manufacture many of their traditional crafts. Steadily regaining their culture, they are the principal producers of Dominican bananas, coconuts (copra), and passion fruit on the 3,700 acres Carib Reserve. 

 Above: Chief Irvince Auguiste (1992) of the Carib Reserve, Dominica (Pronounced: Domi-nee-ka as opposed to Do-min-nican Republic the country that shares Hispaniola with Haiti.To see a 1992 interview with the chief, go to: https://www.youtube.com/watch?v=sFnDZSToAW4&t=193s

Above: Herminie (1992) a 7th grade Kalinago girl of Domnica.

Above: Traditional Kalinago basket-maker, Felix Francis,

 Above: Traditional Kalinago canoe-maker, Napoleon Sandford. Dominica.

SOME CARIBBEAN CURIOS THAT SURVIVED

A Taíno batu player. (Illustrated by the author) Playing the solid, heavy, bouncing rubber-ball game on batey, a clay field. The ball could break bones. Each village had a batey.  When the Spanish arrivals saw the ball bounce, they thought that it was witchcraft. The world's first team sport originated among the Olmec of Mexico's Yucatan. Played by all the major Central American civilizations from the Olmecs to the Aztecs, was also found in Arizona.Invented by the Olmec (Olmec = "People of the Rubber Country"), who first invented Latex Rubber and later, the Ball Game from the Preclassical Period (2500-100 BCE). Made from the sap of the Rubber tree (Castilla elastica) mixed with the sap of the Night Shade in different quantities, made bouncing balls or hard rubber for sandals and pliable waterproof capes. 

All rubber-ball games played on a court came from the Olmec invention. Two teams face off together, one North and the other South. The heavy ball is kept airborne by the hips. Among the Maya stone hoops were placed on the East and West walls of the stadium (like basketball).Hitting the ball through the hoop won the game. Among the Aztec the ballplayers were warriors prepared to die by sacrifice to become messengers to the gods.The airborne ball represented the sun and each team may represent positive or negative forces. The game was a form of divination. Among the Aztec more ball-courts were built during times of strife.Betting was true in the Caribbean and Mesoamerica. Lords lost or won kingdoms there. In the Caribbean both women (using a bat) and men played separate games that were more social. Beautifully carved stone belts and elbo protectors were worn. Agility was premium. The Ball Game survives in Mexico among the Maya.

Above: Sixteenth century manuscript illustration of demonstrations of the first Taino ball-game played in King Philip of Spain's court. Illustrated by the Dutch Ambassador. Forefront: A carved Taíno protective batu stone belt

The world's tiniest bird and smallest hummingbird, the Bumblebee or Bee hummer. Endemic to and found only in Cuba. When the photographer first stalked it, he ignored the bird at first, thinking that it was a bumblebee

The Taíno's Aji, also called pepper, Scotch bonnet, or Habañero

Jamaican Rock Iguana (a Taíno word), thought to be extinct until 1991 when one was chased out of the bushes on Hellshire Hills, by a wild pig hunting dog.

LOST IN THE TERRESTRIAL PARADISE

When the Spanish seamen arrived in the Caribbean in 1492, their description of my homeland caused the clergy and the lettered to proclaim that Columbus had arrived in the Terrestrial Paradise!  

© 2019 by Michael Auld 

Terrestrial Paradise: n. 1. a painting by Netherlandish artist Hieronymus Bosch, dating from around 1490. 2. where the remaining sins of the saved were washed away. The Fountain of Life stands on top of the hill. 3. the Caribbean, as believed by the arriving Spanish in 1492. 4. the pristine Indies and its people, flora and fauna inspired the idea of "Paradise". Also, the reported nudity and youthfulness of the Caribbean's Taino people was reminiscent of Bosch's painting

Unfortunately, I was not taught this point of view by the British educational curriculum by our Colonial government. Jamaica got its independence in 1962 when I was 19, headed for Howard University in Washington, DC. Jamaicans were also taught that they were mainly an African people with a mixed population of bi- and tri-racial "Brown Men", Indian (Hindu), European, Lebanese, Chinese, Sephardi Jew, Portuguese, et al minorities, all subjects in a more important British Empire. In the Empire the curriculum was standardized British. The brainwash was so pervasive that even in the movie theaters, before the film began, we stood to the playing of "God Save The Queen." Nothing was mentioned about the Amerindian Taino civilization (the "Terrestrial Paradise") on which the island was built. After marrying a Native American on campus, my eyes became opened to the realities of the Amerindian hemisphere in which I was born.

ALTERNATIVE AESTHETICS

Colonial education in the English-speaking Caribbean included very little about Jamaican history or culture. So, most Jamaicans knew almost nothing about where we were, geographically. Since the majority of islanders were of African descent, my self discovery as an artist began with our African retentions. 

During my African period, I used welded metal, inlaid with etched Plexiglass to make some pieces. Themes were Obatala, the Yoruba father figure; Olokun, the Yoruba god of the sea; a protective triptych with figures of Ast (Isis), Marcus Garvey and Harriet Tubman, as an installation to protect the children who were being killed by the Apartheid South African Government. Each figure was an icon based on an Ethiopian image of a guardian angel. 

Above Left: "Ogun" the Yoruba God of Metallurgy was also homage to the material that I chose.. [Wall sculpture from welded steel, beaten metal and bicycle rims).  

Center: Sword with the cutout of a dog, Ogun's symbol.

Right: Brass crown, topped by a lost wax casting of a bumblebee.

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Above: Metal and inlaid etched Plexiglass examples from an Egyptian inspired Horus piece titled "Sun's Sons". A tribute to father and son to compliment the traditional "Mother  and Child" artworks. This sculpture was a part of my Egyptian inspired pieces.(Metal. Made from the front forks of bicycles")

AMERINDIAN AESTHETICS: An Artist's Re-education

When Columbus arrived in my part of the world that he believed was a Terrestrial Paradise, there was a lost opportunity to discover where he actually was. Blinded by an ethnocentrism and a search for gold, he was not capable of understanding where he had arrived. He had come to an alien Amerindian hemisphere steeped in the beauty of ingenious, ancient, and diverse cultures.  

Successive myopic Europeans, Africans, Middle Easterners, and Asians arrived with shared blinders. As an artist, born in Jamaica, this non-Indigenous myopia was not good enough for me. I belatedly had to discover geographically where I had been born and may die. I was neither in Europe or Africa. For an artist, this self-ignorance can be devastating.

My dilemma was that a major part of my cultural puzzle was missing. The solution was self-education. I began to research my Northern Caribbean Taíno and our Eastern Caribbean Kalinago (Island Carib) cultures. After all, those nostalgic things that I identified as "Jamaican ", were actually Taíno. I was convinced that my artwork should reflect the culture on which I was weaned. Steeped in a Eurocentric Colonial education, I began research in African folklore and West African aesthetics. My sculptures were based on "Objects of Power".

For a couple of years prior to 1992, I began to research Taíno and Central American designs and sculptural aesthetics. My theory was that if the Columbian Encounter did not occur then Central American artistic aesthetics would have spread into to the Caribbean. There was already indications of Yamaye (Jamaican) Taino interaction along the island's South Coast, just across from the Maya of Mexico's Yucatan. Cortez had come across a Yamaye woman when he arrived in Mexico. In terms of stylistic borrowing, Mesoamerica would have stylistically been The Egypt of the Americas. So, I mixed Mesoamerican sculptural aesthetics with the Taíno sense of design. (This experiment can be seen below with the “Itiba Cahubaba” and the birth of the “Four Father’s of Humankind” sculpture.)

I began to research Taíno artistic, cultural, aesthetics and mythology. So, in 1991, at the advent of the Columbian Encounter, I applied for a Cafritz Foundation Grant to research indigenous retentions in Jamaica (Taino), Puerto Rico (Taino), Antigua (Arawak?), and Dominica (Island Carib),.

AMERINDIAN GALLERY

Below: “Iguanaboina”, the source of life. Iguana=the Sun, along with, Boina (the Black Raincloud), together they represent the source of life. (Welded steel, carved Plexiglass and inlay, 9' tall).

Above: "Lightening Eel: Sea 

God of the Caribs". (Carved

 from a 9' tall pine tree.)

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Below: “Guabancex" the Huracan/Hurtricane.(wall sculpture). Taino women made Guababcex, the Angry Woman Goddess and Rider of the Winds, in the shape of later satellite images of the hurricanes.(See image on the right palm of the sculpture.) To the ceramicists, the "eye" of the hurakan was the face of Guabancex. [Clay, wood, vines]

Below: “Itiba Cahubaba”, the Fifth Earth Mother” and the “Four Fathers of Humankind” (Middle pix) in the womb/birth-cave). She dies in the cesarian births.

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 Left: Detail; "The Four Fathers of Humankind" representing the four human races. They are emerging from the primordial womb/cave painted with Taino pictographs. Itiba Cahubaba is styled after Mesoamerican sculptures and her sons by cesarean birth, are from Taino aesthetics.. 

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Bottom: The epic of “Guahayona” (Three views) the First Shaman and his “Travels to the Island of Women (Matanino) and the Island of Gold” (Guanin). This story inspired the Spanish novel with the island of  "La California" (the naming of the state), and the naming of the Amazon. (Wooden slats, conch shell, paint, vines, & red and blue macaw feathers.) The canoe is in the form of the solitary fish, a barracuda (Kalinago/Island Carib word, meaning "He who stays alone".) 

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  Below: “Matanino”, the "Island of Women” from the "Travels of Guahayona". Right: Detail of head (A tri-Pointed stone cemi. Two fertility breasts, one a turtle (Childbirth), the other a frog, also associated with childbirth. 

Print: with Guahayona in his canoa (canoe) 
and images from Puerto Rico 
of Atabey, the virgin Mother of
Yucahu, main Taino god of the yuca 
and of the sea, without
grandfathers."

 Left: "Guanin" (The Island of Gold). (Cherry wood). A symbol of gold, to the Taino the hummingbird or Colibri's shimmering feathers represents that metal,

Right: A silkscreen print of Guaha-yona's travel to Matinino (meaning "No Fathers"), is the Island of Women. 

Guahayona said to the women, "Leave your children and come away with me and I will give you much gueyo." (Guahayona means "Our Pride", while gueyo is a green chewing tobacco mixed with a salty ashes of an algae. That gives a buzz. He then takes the women to Matinino where he falsely promises to return for them. The moral to women? "Be aware of pride."

Below: Accompanying silkscreen print titled, "Guanin". Guanin is 14k gold and the Guahayona Epic, he leaves Matinino for Guanin. This story was recorded on Hispaniola (Ayti Bohio or Kiskeya) by Fr. Ramon Pane, transported to Spain and influenced Spanish novelist Garci Rodríguez de Montalvo who was a Castilian author who published “Sergas de Esplandián”. California takes its name from de Montalvo’s novel and the ruler of the mythological Island’s Queen Calafia, who was the “black”, virginal Amazon ruler of La California.--http://yamaye-mike.blogspot.com/2018/12/influence-of-taino-carib.html

Enlargement of: "Guanin" (cherry wood,

Mother of Perl inlays, Gold-leaf)

Right: "Guanahani", (meaning: Island of the Iguana) on which Columbus first arrived in the Bahamas. (carved Limestone). Columbus promptly changed the name to "San Salvador".

Guahayona's Epic: "Travel to Guanin", (Silkscreen print on hand-made paper.) The central image is the incorporation of a Spanish woodcut from the period. It captures "panning" for gold, an original Taino method of gold-mining alluvial gold powder near streams in "Hispaniola" (Ayti Bohio or Kiskeya,) 

  

Top: Installation of “Anacaona on her Dujo (stool/throne) in her Bohio (Roundhouse)”. The Bohio is composed of iguanas (upright) and Boinas (roof) symbols of life. Anacaona means Golden Flower. She was the "Kacike/Cacika (queen/ruler) of Jaragua". She governed over 100 Kackies in today's Haiti (Ayte Bohio). She was assassinated in 1503 by the Spanish governor Nicolas de Ovando (for whom she had set up a reception) as part of the Taino genocide.

Left: Anacaona; made from cherry wood, Amazon parrot wings and conch shell earrings.. 

Above:: Video; “He Who Does Not Blink”, the Origin Story. The Watchman at the entrance of the cave/womb from which the Taíno entered the world.

Installation: "Bohuti Mucaro" (Shaman Owl) with maracas (Taino) and a sacred cigar (Taino)  is a life-sized sculpture of a shaman shape-shifting into a bird ("He Who Does Not Blink") --Wood, bark, tree gourds (calabash/higuera).

Enlargement: "Gifts to the World". The gourds surrounding the sculpture contains just a few items from the Taino culture that entered world cultures after 1492.